It is a contradiction that results to an original rendering of hopeful colors from a bleak and cold downpour (that is, the encroachment of the rights and land of the people). It is able to capture and highlight the magnificence of natural life which the cinematography should not miss, and it surely did not with the generous expositions and splendid backdrops – that should go untouched but respected along with the people who protect it.īlack Rainbow is an oxymoron. Moreover, what makes cinema adjacent to reality is the images it conjures from nature. But even if the film did not cross the edge to prove its point, it managed to stay alive above the cliffs and in between valleys – hitting the senses with its strong direction, heartfelt performances, and invaluable message. The dire situation is dealt with Filipino values that would only work ideally and not so much for the real tragedies that are hopelessly endured by the marginalized since time immemorial. As the foundation of the diegesis borrows, if not exposes, the indigenous struggle of the indigents, the film represents the collective and persistent plight of these people against its own heartless and greedy foreign governments. Education does not only serve motivation and even solution for the characters but is also aimed to the audience as a form of building social consciousness. It tells the story of a boy unwavering of his desire to learn despite the material limitations he and his family bear. It makes us dream, hope, and endure a little bit more.īlack Rainbow comes with the intention of education. Cinema, despite the escapism it offers, reminds us of the aspirations and frustrations we hold so deeply.
We understand the shot and the scene as we live or witness the truths of a cruel world imbricated in the narrative. In a single frame contained the dreams and suffering of a child, histories of family, and struggles of the people. Instead, everything is dictated by aesthetics.What makes cinema so lifelike is the humanity it holds. Nothing is accessible here with the level of emotional distance Cosmatos creates between the viewer and the characters. In the case of Cosmatos’ great experimental film (if you can even call it that), there’s an intentional disconnection that will take you off the beaten path and make you go for the primal areas of your mind in order to despise Nyle. Every kind of judgment should be made according to what characters make you feel and think. Related: Best Arthouse, Avant-Garde Horror Movies of All Timeīut most films should be an emotional ride. Cosmatos creates an atmosphere in which you decide to reside for 109 minutes. Every minute of the film has a stylistic intention it’s just not what you think.
What you get is only reactionary, and it’s definitely admissible.Įvery frame is meticulously composed. Cosmatos is the master behind this cinematic experience that’s simultaneously exciting and excruciating, when scenes are painfully slow and probably meaningless. It just doesn’t feel like a regular film, from its visuals to the way it’s intentionally paced. At this point, you probably will have guessed that Beyond the Black Rainbow isn’t like most other modern films.
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